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Kannon (Guan Yin)

The Six Worlds of Samsara, Cont.

The name Devil comes from the wretched hell these displaced thespians feel whenever they are forced to sit in drab silence during long periods of meditation. They have no more use for meditation than they have for manual labor. Processions and ceremonies are their forte; and they prepare for such occasions with more solemnity and fastidiousness than is required for an act of Hara Kiri. Though such satisfaction as they derive from their religion is always limited to the presentation of it, it is no small satisfaction. We all know how it feels to experience a rush of pleasure when we are seen wearing garments in which we think we look particularly attractive. We also know that this rush is intensified if the garments convey membership in an elite group to which, when naked, we would not dream of including ourselves. Though we be unable to run the mile in less than two hours, an expensive jogging suit and running shoes will assert that we are serious athletes. Though we are certain that Shangri-La is a seaport in southeast China and that the Hilton associated with it is a hotel there, we need only don a turtleneck sweater and a good tweed jacket with suede elbow patches to be rightly considered a campus intellectual. And in the same meretricious manner Buddhist robes can be worn; for, though we have the humility of a South Bronx pimp and the compassionate nature as well, a black robe will proclaim that we do indeed possess such gentle virtues. Though we be as sexually restrained as a rutting moose, a cassock will convince the most jaded cynic that we are practically virgins. We may be so devious and manipulative that we cannot purchase a postage stamp without resorting to Machiavellian intrigue, yet little cloth slippers will boldly declaim our simplicity.

It does not matter whether the person who does Devil Chan embraces religion because he is compensating an evil nature or whether he is not venal at all but merely vacuous and is simply stuffing himself with the fixin's of religion. He may, in fact, be as devoid of content as the display-window manikins that are his source of inspiration and guidance. He may believe not a single syllable of creed nor feel a single pulse beat of love or pity for any living creature save himself, yet, let him costume himself properly and wear a pious expression and he will find his substance and meaning in the approving glances of all who observe him.

These are the types who inhabit the six worlds of Samsara.

It may seem from all of this that a monastery is the last place in the world we should expect to find a genuinely religious person; but in truth, we can and do encounter many saints in such places. They pass among us unheralded by drum or trumpet. The sound they make is what St. John of the Cross called, 'silent music,' and we must strain to hear it. In Chan, nothing is accomplished without attention.

The Seventh World of Chan Buddhism
Chapter 5: The Six Worlds of Samsara, Page 9 of 13
 

 
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